![]() Muybridge tried to plead insanity, but the jury dismissed it. Muybridge had to put his experiments on hold for two years when he went on trial for the murder of his wife’s lover. Muybridge initially believed that it was impossible to capture a good picture of a horse in motion, but after experimenting with various equipment and different chemicals, he managed to produce satisfactory results. Anything that moved around a lot appeared as a blur. In those days, photography was a slow process where the film had to exposed for several seconds to make a photograph, so the subject was required to sit motionless during the entire time the photographic plate was exposed. In 1872, the American industrialist Leland Stanford, founder of Stanford University, hired English-American photographer Eadweard Muybridge to photograph his favorite trotter Occident in action. Towards the end of the 19th century something happened that significantly changed how artists painted horses. ![]() “Ethan Allen and Mate and Dexter” by John Cameron, 1828 The characteristic flying gallop seen in “Baronet” by George Stubbs, 1794.Īnother inaccurate depiction of galloping horses. The result was the characteristic “rocking horse” posture or the “flying gallop”. Illustrators and painters probably got this idea by observing dogs, a small, nimble animal that ran with all four legs outstretched, and assumed that a horse’s gait was similar. A running horse was typically shown with the front legs extended forward and the hind legs extended to the rear and all feet off the ground-a posture that is physically impossible. So a lot of guesswork went into those horse paintings. Horses run so fast that the human eye cannot break down the action of their gait. It was while attempting to paint racing scenes many artists realized that they didn’t know horses enough, especially how they moved when they were galloping. Horse art peaked during the 19th century when horse racing became a popular form of sport. Stubbs’s detailed anatomical drawings greatly aided later artists. George Stubbs, an 18th-century English painter, helped further this knowledge by dissecting horse carcasses to learn more about the anatomy of the animal. These depictions showed great knowledge of equine anatomy. ![]() They have appeared in prehistoric cave paintings, such as those in Lascaux, in temples and tombs of ancient Egyptians and the ancient Greeks, and as monumental statues during classical antiquity. Horses have appeared in works of art throughout history. “The 1821 Derby at Epsom” by Théodore Géricault
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